January 2012

From the Gramophone review of our Mahler 1 with the Seoul Philharmonic :

"The orchestra’s keen and articulate display is greeted by a vociferous ovation, the applause retained then quickly faded in Michael Fine’s splendid, sophisticated-sounding production for DG. "

January 2012

Handel on the Road :

We'll record an all Handel program with pianist Daria van den Bercken in the Beethovensaal, Hannover at the end of January.
Daria's Handel on the Road   has been delighting the public both in Amsterdam and via video. She will record on Gerd Finkenstein's superb Bosendoerfer Imperial.

December 2011

Next stop, Vienna to record Renaud Capucon

Next stop, Vienna to record Renaud Capucon, Daniel Harding, and the Vienna Philharmonic in two masterpieces, the violin concertos of Brahms and Berg.

December 2011

Post production is nearly finished on the Seoul Philharmonic's stunning live recording

Post production is nearly finished on the Seoul Philharmonic's stunning live recording of Mahler's Symphony Nr. 2 with Maestro Myung Whun Chung. This is scheduled as an Easter release by Deutsche Grammophon.

December 2011

Embarrassing overproduction of Mahler in the past decades has raised the bar ridiculously high

Even though the almost embarrassing overproduction of Mahler in the past decades has raised the bar ridiculously high, worthwhile recordings do occasionally seep through and, in the case of the Houston Symphony under Hans Graf, demand to be taken seriously. Graf’s musical values are entirely different from Sanderling’s; clarity is prized above all, not merely in the musical line but in each little diversion along the way. But individual threads never dangle far from the musical fabric.

Perhaps the only similarity between these recordings is their use of non-traditional Mahler singers. Although mezzo-soprano Jane Henschel, a frequent performer of gramophone.co.uk Wagner and Strauss, finds herself on familiar ground, it’s Gregory Kunde – generally a bel canto tenor – who remains the standout. I’m not sure how much of Kunde’s refined elegance would soar above the orchestra in a live performance but this is the first Das Lied recording in a long time that made me wish Mahler wrote more for the